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| "The Blessed Damozel" by Dante Gabriel Rossetti, 1875-8 |
"I wish that he were come to me,
For he will come," she said.
"Have I not prayed in Heaven?--on earth,
Lord, Lord, has he not prayed?
Are not two prayers a perfect strength?
And shall I feel afraid?
At first, the idea of the two of them praying seems innocuous, but think about what it means: if she's praying for them to be reunited...she's technically praying for his death. He "will come" eventually, as death is inevitable, but the Damozel would rather be reunited with him sooner than later. She's not even sure he's praying for the same thing, but she wants it more than anything. I think it's also interesting to compare to the painting: the Damozel is given more than half of the frame, while the lover is relegated to the bottom of the frame, and you might even say he appears pressed down by the weight of the rest of it. However, he also seems to be reclining; he's looking up to Heaven, but how concerned is he with the loss of his love? It's been ten years, according to the poem, and it's possible that he's moved on. This conflict between the prayers of the Damozel and the unknown prayers of the lover is interesting.

Thank you for remembering the painting...so few remember that!
ReplyDeleteAgree with your comments, very insightful. From my reading, there is a narrative story that catches pieces of the living-lover-dead-lover concept you raised. Tolkien, in his Lost Tales Book 2, and later in The Silmarillion, writes about two lovers, Beren and Luthien who are parted in death. Beren dies after the two fall in love, and Luthien prays to the god of the dead, Mandos, to release her lover back to mortality so they might enjoy the happiness denied them.
Apart from the difference in Luthien's prayer to that of the Damozel, the idea of prayer to/in the afterlife for the one left behind is a very powerful concept.