The visual structure of Kelly’s “The Garden of the Trumpet
Tree” catches the reader’s immediate attention, as it is written in one long
block of prose without stanzas, line breaks, meter, or rhythm. This poem
presents itself as almost an anti-poem—it has none of the most common features
that define what a poem is. This, I think, is the first indication of the poem’s
overall themes of antithetical pairings/characteristics that make up one single
being.
The speaker observes the “trumpet tree” for the first time
and notices it is merely a withered, rotten tree adorned in a vibrant,
blossoming, and “snakelike” vine. The tree is described as “unlikely” and “improbable,”
and the speaker’s realization such contrasting elements fused together prompts
her/him to find similarly antithetical (ooh, oxymoron) situations in other
aspects of this garden—the hummingbird is “more fish than bird, more insect
than fish,” “sound and silence” become synonymous with each other, he/she breathes
the “strange perfume of those scentless flowers.” Clearly there is significant focus
on the peculiar, clashing nature of… well, nature. For this reason (as I
mentioned before) I think it’s really interesting and effective for this piece to call itself a poem and have
such a dense structure.
So having said this, one aspect of this poem that confuses
me is the significance of the stone head. I understand that the image of the
bright red apple in the menacing stone head pertains to this theme of contrast,
and I notice the balanced contrast of actions in the third and the third to
last sentences of the poem: “But I did not take it out” and “And I took the
apple out.” I’m just having trouble understanding what the head represents, if
anything. Any thoughts?
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