Feld's
"Cascade Raptor Center: Capture," made me think of the futility of
forgiveness when it comes to loss and nature. A boy accidentally shoots
down a hawk with his new gun yet his apologies are made meaningless by the
inevitability of death. The boy's actions are irreversible and the bird
irrecoverable. The boy goes through mental hurdles to convince his innocence
which is signified by the repetition of the line "He hadn't meant to hit
the bird," varying with emphasis on different words through the use of italics
in the firth through fourth stanzas. The speaker, present at the Raptor Center,
goes through his own stages how he tells the story. In the first stanza the
speaker has sort of an objective stance on the nature of the cruel situation,
detailing the state of the bird's body, "We lifted the red-tail, half dead
with loss / of blood ... when she flicked the milky filters of her eyelids ...
" And at the end of the stanza the objectivity turns inwards and
subjective "I saw my shadow-shape projected across / a screen, grown
representative and monstrous." The speaker shifts out of objectivity
towards indifference and pain which is noted later on. Stanza four heightens
the sense of futility with “I tried to follow the thought back to those fields
/ where nothing ever changes but the weather” … then his pain and indifference
is brought up later in the same stanza with “as we ignored him – if he’d killed
a man we’d all / have been the more compassionate, the less appalled.” And
again the fifth stanza “He hadn’t meant to hit the bird. Who cared?”
i agree with this! I think another central part of this forgiveness is the relationships. The relationship between the boy and bird, the boy and his father, the boy to the speaker, and the dad to the speaker.
ReplyDeleteI think the speaker is so shocked by the bird laying helpless, since that is his passion, he forgets about the people around him, he forgets mistakes are forgivable, just as the father to son.