On reading the poem “Raptor” on page 3 of the poetry
book, I mainly took it to be focused on the concept of the wilderness disappearing
because humans are destroying it. This concept is subtly approached in the
first two stanzas, and then stated outright in the third. In line 1, the
speaker states, “…I wanted…a goshawk on my wrist,” this declaration indicating
the human’s desire for ownership of the creature, and ultimately the “wilderness”
(2). The statement of line 1 has a materialistic ring to it, almost as though
the bird is a piece of jewelry, such as a watch or bracelet. Despite this
negative connotation, the speaker clearly loves the goshawk, stating that he is
its “nurse, waiter,/And janitor,” (4-5). It seems to be sadly indicated that the
purpose for the bird’s captivity is that it is “rare” (endangered) and
therefore requires human intervention for its survival (7). The concept of the
bird’s rarity is reiterated in stanza 2, line 14, and stanza 3, line 21. In
lines 16-17, the cause of the bird being “docile” is revealed to be an effect
of it going “extinct” because, except for nature preserves, there is “no
wilderness” (20).
There is an interesting shift of speaker in stanza
three as it seems to be spoken by the goshawk itself. Suddenly the speaker of
stanzas 1 and 2 is addressed by this second voice, saying, “You wanted a little
bit of wilderness/Held docile on your wrist” (15-16). The reason I think it’s
the goshawk is because in line 19, the new speaker states that there is no
wilderness except what it/he/she is allowed, apparently by the previous speaker/other
humans (“you”).
I would be interested to know the full significance
of each sentence in the repeated line, “Now Chiefly
poet. Now Shakes. Now sing. Now rare” since the meaning the first three are elusive (7, 14, and 21).
Is the speaker referring to himself as the poet, or is the bird the poet? What on
earth does Shakes signify? Does sing refer to the act of the poet or the
bird? On that last question, the bird certainly is referred to as being like a
poem in lines 10-11, indicating that the austringer is the poet, or at least an
admirer of poetry.
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