Shelley and Wordsworth were contemporaries, and Wordsworth
was quite alive and still writing at the time “To Wordsworth,” an elegy, was
composed. Knowing this, I read and reread the poem with a critical eye,
expecting to find some sort of sarcasm in Shelley’s words. The poem begins by
invoking Wordsworth as “Poet of Nature,” (1) and continuing in the same
Wordsworthian vein, talks about the poet’s subject matters – “Childhood and
youth, friendship and love’s first glow,/. . . [fleeing] like sweet dreams,”
(3-4). These sentimental images are
followed by the abrupt, short sentence, “These common woes I feel,” the word “common”
implying that the speaker (Shelley) views the things which Wordsworth held as important
as nondescript (5). The sentence’s tone is, overall, dismissive. The “loss” (5)
which Shelley mentions (which he “deplores” and Wordsworth only “feels” (6),
refers to Wordsworth “Deserting” (13)his writing of “Songs consecrate to truth and
liberty” (12). Basically, Shelley is saying that Wordsworth has lost his touch,
and what’s worse, he’s sadder about it than Wordsworth (or anybody else) is. As
indicated by the title of this post, the elegy “To Wordsworth” could aptly be
called “To Wordsworth’s Talent.”
Yes, absolutely! Shelley is particularly upset about Wordsworth's political apostasy, that he had stopped writing "Songs consecrate to truth and liberty"--in other words, he has abandoned the principles of the French Revolution and become politically conservative.
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